"In romantic times, artistic form based on rural and classical ruins were typically represented by painters and poets. The imagery and aethetics of the contemporary industrial ruin are mainly exploited through the cinema and in some of the marginal realms of popular music, althought ruins are also used by contemporary painters, photographers and sculptors, and in some contemporary writing." Tim Edensor, Industrial Ruins. Space, aesthetics and materiality, Berg, 2005, pp.42
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